INVITATION TO THE DANCE
If every musical of the 1950s winds up turning into a pretentious art film for ten or twenty minutes, what would happen if a musical was simply conceived as a pretentious art film from the start? That's the experiment Gene Kelly ran when he made Invitation to the Dance, and the results, while mixed, suggest that Kelly's opus deserves a higher profile amongst its brethren musicals than the near-obscurity which, sadly, it actually enjoys.
1952/1956
Directed by, choreographed by, and starring Gene Kelly
Spoiler alert: moderate