While never managing to become "more," and prompting the question, "why do you need it to be 'more' anyway, Ari?", Midsommar is a hell of a good horror film in The Wicker Man vein, and that's still fresh enough that it doesn't matter too much what else is wrong with it.
2019
Written and directed by Ari Aster
Spoiler alert: moderate, though I just mentioned it's a Wicker Man rip-off, so, you know... there's that
A movie of seemingly boundless energy and possibility, Night doesn't always live up to its own potential—nor always put its money where its mouth is, and there's a good twenty minutes in the middle where it's not doing either one—but that doesn't mean it's not one of the most essential animated films of the last year, or even the last decade.
2017 Japan/2018 USA
Directed by Masaaki Yuasa
Written by Makoto Ueda (based on the novel by Tomihiko Morimi)
It's a disappointment, of course. It's a Toy Story that isn't a masterpiece. It isn't even great. But as far as Pixar in the Tens has gone, you know, it is probably above average—and that'll do.
2019
Directed by Josh Cooley
Written by many, so very many, but I'm happy leaving it at "screenplay by Andrew Stanton and Stephanie Folsom"