MAQUIA: WHEN THE PROMISED FLOWER BLOOMS
Sayonara no Asa ni Yakusoku no Hana o KazarÅ
Conceptually rich, yet insubstantial and entirely unsatisfying, Maquia takes a great idea and runs it into the ground, then under the ground, then it ends, too short to make any sense out of the world it's created, too long and too repetitive to not get really, painfully dull.
2018
Written and directed by Mari Okada
Spoiler alert: moderate