Wednesday, December 21, 2022

Friday, December 16, 2022

Age cannot wither her, nor custom stale her infinite variety


CLEOPATRA

1963
Directed by Joseph L. Mankiewicz
Written by Ranald MacDougall, Sidney Buchman, and Joseph L. Mankiewicz (based on The Life and Times of Cleopatra by Carlo Maria Franzero, plus Plutarch and that whole gang)

Spoilers: N/A

Sunday, December 11, 2022

Saturday, December 10, 2022

Kick me in the jimmy


THE STORY OF QIU JU

1992
Directed by Zhang Yimou
Written by Liu Heng (based on the novella "The Wan Family's Lawsuit" by Chen Yuabin)

Spoilers: mild

Tuesday, December 6, 2022

Wednesday, November 30, 2022

Unhappy landing


DEVOTION

2022
Directed by J.D. Dillard
Written by Jake Crane and Jonathan Stewart (based on the book Devotion: An Epic Story of Heroism, Friendship, and Sacrifice)

Spoilers: notice that the book it's based on has "sacrifice" in the title

Sunday, November 27, 2022

Pulped fiction


STRANGE WORLD

2022
Directed by Don Hall (co-directed by Qui Nguyen)
Written by Qui Nguyen

Spoilers: moderate

Saturday, November 19, 2022

Friday, November 18, 2022

The Encyclopedia Brown: There's gold in them thar hills


THE TRAIL OF '98

1928
Directed by Clarence Brown
Written by Benjamin Glazer, Joseph Farnham, and Waldemar Young (based on the novel by Robert W. Service)

Spoilers: well, it certainly doesn't last, does it? (moderate)

Thursday, November 17, 2022

The Encyclopedia Brown: An Early Clarence Brown Compendium


In which we file away The Blue Bird (1918), The Last of the Mohicans (1920), "The Light of Faith" (1922), The Signal Tower (1924), Smouldering Fires (1925), The Goose Woman (1925), The Eagle (1925), and Kiki (1926), plus
talkie bonus!Navy Blues (1929)

One should not have to "discover" Clarence Brown, but that's the way it is in the year 2022, and the way it has been since, probably, the mid-1950s, when he retired on his own terms to go live on a ranch for the next three decades.  Maybe the word "discover" does too much: he's only as obscure as any Old Hollywood studio man, but such a person can get pretty obscure, after all, because it sometimes feels like so much of the fullness and flavor of Old Hollywood's legacy was lost to the grimly-streamlined Boomer cinematic canon, which became the dull, conformist framework for communicating and teaching film history for the next sixty years.  In any case, discovery is what it felt like to me, when I noticed over the course of about a year that the guy who did The Rains Came was the guy who did The Yearling was the guy who did Flesh and the Devil and I said, "okay, show me" when National Velvet made its rounds on HBOMax and I saw that this, too, was Brown, leading to the statistically-startling and hugely-tantalizing realization that I had seen four Brown movies at more-or-less random but had also seen four masterpieces.

And then, as I do, I got really enthusiastic and burned through Brown's 1941-1947 stretch for no reason but I felt like it, since "what I feel like" is the long and short of my critical ethos here, and as I've gotten a better grasp of the director, it turns out that for whatever reason that stretch in the third decade of his career saw Brown hit not only his stride (just great movie after great movie in the middle of that decade) but also many of his highest peaks, which means that were I to, say, decide upon a more systematic overview of his career, it would be almost guaranteed to be a bit of a let-down.  After all, nobody, not nobodyat least not nobody who had to do what Metro-Goldwyn-Mayer told him to once or twice or three times a year, whether he wanted to do it or notwas likely to have managed to keep that level of superlative quality up.  That's something that his tossed-off second film of 1941, They Met In Bombay, indicates powerfully, despite coming in between Come Live With Me and The Human Comedy.  That's just the businesseven beyond the studio system, you should expect even the greatest filmmakers to have fallow periods and the occasional dudbut you know, Brown's late 1920s and 1930s aren't wastelands either.  They absolutely have some peaks of their own, and not just a few, either.

Wednesday, November 16, 2022

I'm a genie in a bottle, you've got to rub me the right way


THREE THOUSAND YEARS OF LONGING

2022
Directed by George Miller
Written by Augusta Gore and George Miller (based on the short story "The Djinn In the Nightingale's Eye" by A.S. Bryant")

Spoilers: moderate

Sunday, November 13, 2022

Bald thing, I think I love you


EARTH GIRLS ARE EASY

1988
Directed by Julien Temple
Written by Julie Brown, Terrence E. McNalley, and Charlie Coffey

Spoilers: moderate

Saturday, November 12, 2022

Feminine mystique


THE MYSTERIOUS LADY

1928
Directed by Fred Niblo
Written by Bess Meredyth, Frances Marion, Marian Ainslee, and Ruth Cummings (based on the novel War in the Dark by Ludwig Wolff)

Spoilers: moderate

Thursday, November 10, 2022

Busby Berkeley: In hot?


IN CALIENTE

1935
Directed by Lloyd Bacon
Written by Ralph Block, Warren Duff, Jerry Wald, and Julius Epstein

Spoilers: moderate

Tuesday, November 8, 2022

Reanimation


WENDELL & WILD

2022
Directed by Henry Selick
Written by Jordan Peele and Henry Selick

Spoilers: moderate

Sunday, November 6, 2022

The man who killed the British Empire but not the Bigfoot


MISSING LINK

2019
Written and directed by Chris Butler

Spoilers: moderate

Gilbert and Garbo in


LOVE

1927
Directed by Edmund Goulding
Written by Lorna Moon, Frances Marion, Marian Ainslee, and Ruth Cummings (based on the novel Anna Karenina by Lev Tolstoy)

Spoilers: saying there could be something to meaningfully spoil about this adaptation of Anna Karenina is a spoiler in itself, ain't it?

Monday, October 31, 2022

Census Bloodbath: Jock shock


CUTTING CLASS

And once again we welcome you, to our October Switcheroo
Where Brennan Klein deigns to review nice old sci-fi, like I would do.
But pretending to alliance, Brennan sends me 80s violence!
Cardboard Bloodbath, Census Science, demands psychic realignment.
Oh we have funrequisite links.  Here's hoping that not too much stinks.
Poetry blows, J. Slasherfan thinks. Give me TITS and DEATH, that's my kink!

1989
Directed by Rospo Pallenberg
Written by Steve Slavkin

Sunday, October 30, 2022

Census Bloodbath: A true crime


RETURN TO HORROR HIGH

And once again we welcome you, to our October Switcheroo
Where Brennan Klein deigns to review nice old sci-fi, like I would do.
But pretending to alliance, Brennan sends me 80s violence!
Cardboard Bloodbath, Census Science, demands psychic realignment.
Oh we have funrequisite links.  Here's hoping that not too much stinks.
Poetry blows, J. Slasherfan thinks. Give me TITS and DEATH, that's my kink!

1987
Directed by Bill Froelich
Written by Bill Froelich, Dana Escalante, Mark Lisson, and Greg H. Sims

Tuesday, October 25, 2022

Census Bloodbath: Gorked up


HELL NIGHT

And once again we welcome you, to our October Switcheroo
Where Brennan Klein deigns to review nice old sci-fi, like I would do.
But pretending to alliance, Brennan sends me 80s violence!
Cardboard Bloodbath, Census Science, demands psychic realignment.
Oh we have funrequisite links.  Here's hoping that not too much stinks.
Poetry blows, J. Slasherfan thinks. Give me TITS and DEATH, that's my kink!

1981
Directed by Tom DeSimone
Written by Randy Feldman

Thursday, October 20, 2022

What a disaster: The pirates of Byzance


RAISE THE TITANIC

1980
Directed by Jerry Jameson
Written by Adam Kennedy, Eric Hughes, and many others (based on the novel by Clive Cussler)

Spoilers: moderate (high if you don't read film's titles before you watch them)

Tuesday, October 4, 2022

Friday, September 30, 2022

What, me worry?


DON'T WORRY DARLING

2022
Directed by Olivia Wilde
Written by Katie Silberman, Shane Van Dyke, and Carey Van Dyke

Spoilers: moderate with some choice redactions, though the main thrust of it is, I presume, supposed to be pretty obvious

Thursday, September 29, 2022

Sleeping, yes, but only a rather ordinary 5'10"


TORA! TORA! TORA!

Directed by Richard Fleischer, Toshio Masuda, and Kinji Fukasaku
Written by Larry Forrester, Hideo Oguni, Ryuzo Kikushima, and Akira Kurosawa

Spoilers: eventually, we won

Sunday, September 25, 2022

What a hiatus

Quick note made under the perhaps misguided apprehension anyone cares: I've let this lay fallow for I think the longest hiatus in the blog's history, not through any particular designsure, the pervasive "what is the point?" demotivation that hits me whenever I compare Kinemalogue's readership to, for example, the viewership of even the dumbest YouTube morons, is probably some kind of causal factor, but not the causal factorbut because 1)I've been charged with a downright unusual amount of overtime work for my firm and 2)some manner of illness that I don't think was covid, but, shit, might've been a bacterial sinus infection that opened a door for covid.  Either way, I feel pretty poorly.  (These don't contradict each other that much: the lack of satisfaction or interest are perennial bummers, but the job has its upsides, too.)

Anyway, that's all.  Regular programming should resume at some point soon whenever I work up the energy to puts words to paper for an already half-complete review of Tora! Tora! Tora! (more Fleischer, yeah!) and a review of Don't Worry Darling (sure do wish I liked that movie more, given how much life YouTube morons sucked from it in pursuit of their parasitic work).  Go with God, you amorphous, largely-invisible people that I pretend exist!

Monday, September 5, 2022

Friday, September 2, 2022

Cat


BEAST

2022
Directed by Baltasar Kormákur
Written by Ryan Engle and Jamie Primak Sullivan

Spoilers: mild

Sunday, August 28, 2022

A planetary romance


FIRE OF LOVE

2022
Directed by Sara Dosa
Written by Shane Boris, Erin Casper, Jocelyn Casper, and Sara Dosa

Spoilers: big N/A

Thursday, August 18, 2022

Monday, August 15, 2022

Friday, July 29, 2022

A boy and his deer


THE YEARLING

1946
Directed by Clarence Brown
Written by Paul Osborn and John Lee Mahin (based on the novel by Marjorie Kinnan Rawlings)

Spoilers: moderate

Tuesday, July 12, 2022

Cardboard Science: B-I-G


THE AMAZING COLOSSAL MAN

1957
Directed by Bert I. Gordon
Written by Mark Hanna, George Worthing Yates, and Bert I. Gordon

Spoilers: moderate

Saturday, July 9, 2022

Thursday, July 7, 2022

Sunday, July 3, 2022

Tuesday, June 28, 2022

Monday, June 27, 2022

Faces of death


SINISTER

2012
Directed by Scott Derrickson
Written by C. Robert Cargill and Scott Derrickson

Spoilers: high

Sunday, June 19, 2022

Neigh


INTERNATIONAL VELVET

1978
Written and directed by Bryan Forbes

Spoilers: moderate

Tuesday, June 14, 2022

Days of thunder


NATIONAL VELVET

1944
Directed by Clarence Brown
Written by Theodore Reeves, Helen Deutsch, and Howard Dimsdale (based on the novel by Enid Bagnold)

Spoilers: high

Sunday, June 12, 2022

I killed a man who I hated today


REVENGE

1990
Directed by Tony Scott
Written by Jim Harrison and Jeffrey Alan Fiskin (based on the novella by Jim Harrison)

Spoilers: moderate