Thursday, July 18, 2024

Hollowest Earth



GODZILLA X KONG: THE NEW EMPIRE

2024
Directed by Adam Wingard
Written by Terry Rossio, Simon Barrett, Jeremy Slater, and Adam Wingard

Spoilers: moderate

Saturday, July 6, 2024

Friday, July 5, 2024

American Gothic Week: They have failed to procure the slightest clew


MURDERS IN THE RUE MORGUE

1971
Directed by Gordon Hessler
Written by Christopher Wicking and Henry Slesar (based on the story "The Murders In the Rue Morgue" by Edgar Allan Poe)

Spoilers: moderate

Monday, July 1, 2024

American Gothic Week: Balkanized


BLOOD BATH or PORTRAIT IN TERROR
aka Operation: Titian or Track of the Vampire

1966 or 1968
Directed by Rados Novakovic or Jack Hill or Stephanie Rothman
Written by Vlastimir Radovanovic or Jack Hill or Stephanie Rothman

Spoilers: moderate

Saturday, June 29, 2024

American Gothic Week: The dreams were meanwhile getting to be atrocious


CURSE OF THE CRIMSON ALTAR
aka The Crimson Cult

1968
Directed by Vernon Sewell
Written by Jerry Sohl, Mervyn Haisman, and Henry Lincoln (based on "The Dreams In the Witch House" by H.P. Lovecraft)

Spoilers: moderate

Thursday, June 27, 2024

Now that you are sole heir to our world, you will have every opportunity to achieve wickedness


GAS! -OR- IT BECAME NECESSARY TO DESTROY THE WORLD IN ORDER TO SAVE IT.
aka Gas-s-s-s

1970
Directed by Roger Corman
Written by George Armitage and Roger Corman

Spoilers: moderate

Monday, June 24, 2024

Sunday, June 9, 2024

Every other man took you at your own price—nothing!


SUSAN LENOX (HER FALL AND RISE)

1931
Directed by Robert Z. Leonard
Written by Leon Gordon, Zelda Sears, Edith Fitzgerald, and Wanda Tuchock, as well as, in an uncredited capacity, something approaching half the staff of MGM (based on the novel by David Graham Phillips)

Spoilers: moderate

Saturday, June 8, 2024

Tuesday, June 4, 2024

Tuesday, May 28, 2024

Chimpan-A to Chimpan-Z: Ape has killed ape


BATTLE FOR THE PLANET OF THE APES

1973
Directed by J. Lee Thompson
Written by Paul Dehn, John William Corrington, and Joyce Hooper Corrington

Spoilers: high

Monday, May 27, 2024

Wednesday, May 22, 2024

Tuesday, May 21, 2024

Cardboard Science: Weird West


THE VALLEY OF GWANGI

1969
Directed by Jim O'Connolly
Written by Willis O'Brien, William Bast, and Julian More

THE BEAST OF HOLLOW MOUNTAIN

1956
Directed by Ismael Rodriguez and Edward Nassour
Written by Willis O'Brien, Robert Hill, and Jack DeWitt

Spoilers: moderate

Friday, May 10, 2024

Tuesday, May 7, 2024

Wednesday, May 1, 2024

The mediator between the head and the hands must be the heart!


THE PAJAMA GAME

1957
Directed by George Abbott and Stanley Donen
Written by George Abbott, Richard Bissell, Richard Adler, and Jerry Ross (based on the novel 7 1/2 Cents by Richard Bissell)

Spoilers: moderate

Wednesday, April 24, 2024

Friday, April 19, 2024

What can I say? I'm a spy


TRUE LIES

1994
Written and directed by James Cameron (based on the screenplay La Totale by Claude Zini, Simon Michaёl, and Didier Kaminka)

Spoilers: moderate

Sunday, April 14, 2024

Thursday, April 11, 2024

Saturday, April 6, 2024

Walt Disney, part LIV: Pompous circumstance


FANTASIA 2000

2000
Directed by Don Hahn, Pixote Hunt, Hendel Butoy, Eric Goldberg, James Algar, Francis Glebas, Paul Brizzi, and Gaёtan Brizzi

Spoilers: moderate, I guess

Monday, April 1, 2024

Wednesday, March 20, 2024

Saturday, March 16, 2024

Walt Disney, part L: It's not my fault, if in God's plan, he made the Devil so much stronger than a man


THE HUNCHBACK OF NOTRE DAME

1996
Directed by Gary Trousdale and Kirk Wise
Written by Tab Murphy, Irene Mecchi, Bob Tzudiker, Noni White, and Jonathan Roberts (based on the novel Notre-Dame de Paris by Victor Hugo)

Spoilers: high

Monday, March 11, 2024

Walt Disney, part XLIX: The pits


JAMES AND THE GIANT PEACH

1996
Directed by Henry Selick
Written by Karey Kirkpatrick, Jonathan Roberts, and Steve Bloom (based on the novel by Roald Dahl)

Spoilers: moderate

Sunday, March 10, 2024

May thy knife chip and shatter


DUNE: PART TWO

2024
Directed by Denis Villeneuve
Written by John Spaihts and Denis Villeneuve (based on Dune by Frank Herbert)

Spoilers: it's still just Dune, bros

Monday, March 4, 2024

Walt Disney, part XLVII: Stand out till you notice me


A GOOFY MOVIE

1995
Directed by Kevin Lima
Written by Jymn Magon, Chris Matheson, and Brian Pimental

Spoilers: moderate

Thursday, February 29, 2024

Walt Disney, part XLVI: Bad and good luck tales


DUCKTALES THE MOVIE: TREASURE OF THE LOST LAMP

1990
Directed by Bob Hathcock
Written by Alan Burnett

Spoilers: moderate

Sunday, February 25, 2024

Thursday, February 22, 2024

Walt Disney, part XLIV: I'm bored from leering my horrible glances, and my feet hurt from dancing those skeleton dances


THE NIGHTMARE BEFORE CHRISTMAS

1993
Directed by Henry Selick
Written by Caroline Thompson, Michael McDowell, and Danny Elfman (based on the poem by Tim Burton)

Spoilers: moderately highish, I guess

Sunday, February 18, 2024

Walt Disney, part XLIII: You ain't never had a friend like me


ALADDIN

1992
Directed by Ron Clements and John Musker
Written by Ted Elliott, Terry Rossio, Ron Clements, John Musker, and what appears to be the entire staff of Walt Disney Feature Animation

Spoilers: moderate

Thursday, February 15, 2024

Disney's Challengers, part XI: Après moi, le déluge


ROCK-A-DOODLE

1992
Directed by Don Bluth
Written by David N. Weiss and numerous others (based on the play Chantecler by Edmond Rostand)

Spoilers: moderate

Tuesday, February 13, 2024

Monday, February 12, 2024

Reviews from gulag: The red [door/car/nosed reindeer]

As we continue our clean-up of 2023 with a series of reviews for movies that may or may not have deserved their own entries, we arrive upon Insidious: The Red Door, annoyingly both the fourth and the second sequel to James Wan's 2011 horror superhit, Insidious, picking up the Lambert Saga ten years after Wan finished it in Insidious: Chapter 2 for no obvious reason besides giving perennial supporting-actor champion Patrick Wilson his first crack at directing; Ferrari, Michael Mann's biopic of Enzo Ferrari that, hypothetically, appeals to Mann's historic strengths as a filmmaker or should at least offer some good racing scenes; and Silent Night, John Woo's pun-titled, Christmas-themed experimental action film.  As the title up top indicates, there is indeed something meaningfully red in all three of these movies, but the actual secret theme of these graybles is that they all involve a director I respect a great deal, even if it's for reasons besides directing, nevertheless proving a disappointment.

INSIDIOUS: THE RED DOOR

I've suggested in the past that the Insidious franchise, prior to Insidious: The Red Door, is not good, and, having recently reacquainted myself with them (or become acquainted with some of them in the first place), I'm happy to recant that, albeit with faint praise; it's a horror franchise with the agreeable distinction of improving steadily throughout all of its first three entries, going from a low 7/10 for the first Insidious all the way to a medium-high 7/10 for 2015's Insidious: Chapter 3.  This was unlikely to continue apace and it did stumble, rather hard, with its fourth entry, 2018's Insidious: The Last Key, which at least had a few strong novelties to offset the feeling that the franchise had clearly exhausted most of its best moves already.  (The first three all had the benefit of being directed by one or the other of its creators, James Wan or Leigh Whannell, which makes more of a difference than you might be ready to guess, given how formulaic the scares and stories are.  Meanwhile, The Last Key was at least written by Whannell, which didn't save it, but it felt of a piece with its three predecessors.)  Other than The Last Key not being good, however, the worst thing about those first four films is that Chapter 3 took the unusual step of being a prequel focused upon Lin Shaye's paranormal investigator and spirit medium, Elise Rainier.  Obviously, insofar as Elise was almost objectively the single best element of the franchise, its focus on her was not the bad part; that's the "prequel" part, where Whannell blinked and took his franchise back in time to give Elise a new story, despite having already ended Chapter 2 with an inordinately strong sequel hook, for while that film concluded the "central" story of the Lambert family on a satisfying and happy note, it also promised Further adventures (ha, ha) with Elise and her sidekicks, irrespective of the fact that Elise had been dead for an entire movie by this point.  I mean, it's a franchise entirely about ghosts and the metaphysical dark mirror of the real world where ghosts hang out after they die; this was not some insuperable challenge.  The worst thing about the worst thing, meanwhile, is simply that, flying in the face of all logic, Whannell's prequel was still named "chapter 3."  This had to be awfully irritating when development began on Insidious: The Red Door, which finally does offer a chronologically-third Insidious movie, as well as another (and presumably the final) chapter in the story of Josh Lambert (Patrick Wilson) and Dalton Lambert (Ty Simpkins), father and son astral projectors whose unique talents had tended to get them into trouble.

Sunday, February 11, 2024

The annihilator


THE MARVELS

2023
Directed by Nia DaCosta
Written by Megan McDonnell, Elissa Karasik, and Nia DaCosta

Spoilers: moderate

Tuesday, February 6, 2024

Disney's Challengers, part VIII: Dog damn


ALL DOGS GO TO HEAVEN

1989
Directed by Don Bluth (co-directed by Gary Goldman and John Pomeroy)
Written by David N. Weiss and zillion other people

Spoilers: moderate