It's Halloween again, and you know what that means. Like every year, we resurrect Brennan Klein over at Popcorn Culture for our October Switcheroo! Sometimes I win, sometimes he loses, but either way, it means Brennan trapped in our own Cardboard Science format and reviewing 50s sci-fi classics or not-so-classics, while I wear his face for a while with some 80s slashers, Census Bloodbath-style.
1983
Written and directed by Robert Hiltzick
Spoilers: extraordinarily severe; or, everybody already knows anyway; or, I'm not sure, but you've been warned
Note: though based on a fresh watch, this is a re-edited-more-than-I'd-have-liked version of an earlier review written in connection with my annual Halloween-time crossover with Brennan Klein (rarely these days of Popcorn Culture, more commonly of Alternate Ending). My hopes were to barely change it. My hopes were dashed, given that significant stretches would have been redundant with things we've already covered in previous entries (particularly my grand unified theories of Friday the 13th criticism), while a lot was simply performative whining that only makes sense in the context of Brennan having control over the programming. The original will, of course, remain, and it has a lot of neat slasher flick errata insofar as the crossover concept demands I ape the format of Brennan's impiously encyclopedic Census Bloodbath series of 80s slasher film reviews, which I obviously recommend.
Housekeeping note: obviously, the "week" part has always been a joke, but of course it's really not anyone's best practice to start a themed series and then fail to even get a second part out (or anything out) before seven days have elapsed. In my defense, I've been busy, with 71 straight days of work (that's LXXI, for the Roman numeral-challenged crafters of today's subject's in-film title card), and then a big push against a deadline here at the end. So I genuinely didn't have the time. Now I have nothing but. Life!
In which we discuss Terror On the 40th Floor, The Deadly Tower, Superdome, and A Fire In the Sky, concluding our overview of the disaster telefilms Jerry Jameson directed in the 70s, which began here., where we dealt with Heatwave!, The Elevator, and Hurricane.
TERROR ON THE 40th FLOOR (1974)
When I set myself to the disaster telefilms of Jerry Jameson, I negligently failed to realize there were this many, so many that even just "the disaster telefilms of Jerry Jameson of 1974" became a fractal, neverending endeavor, so that I suppose that after doing three previously and only realizing I'd missed a fourth now, I wouldn't be entirely surprised if there were, somehow, four more still lurking out there to make me look foolish. Fortunately, Terror On the 40th Floor doesn't change anything I said about The Elevator, which is, if anything, even more comfortably Jameson's best movie of an extremely busy 1974. Similar in setting and somewhat in concept to The Elevator, what we've actually got here isn't that at all, and it's pretty shameless and more than a little suspect just from the outset: a skyscraper-on-fire TV disaster movie aired three months before The Towering Inferno came out in theaters in December. If that sounds hackish and mercenary and even gauche to you (yet actually about two months too early to properly parasitize on the marketing and hype for The Towering Inferno, especially when Airport 1975 is presently playing on the big screen), you're pretty much right; this is quite low-effort material. A notable distinction, anyway, is that The Towering Inferno is legitimately "about something"—mostly that fire is hot, sure—but also that skyscrapers and perhaps the system that produces them are an affront to morality, and the disaster there is triggered by greed and hubris and poor regulation; in Terror on the 40th Floor, the disaster is triggered by a drunken blue collar worker spilling fire all over everything.