Showing posts with label 1995. Show all posts
Showing posts with label 1995. Show all posts

Monday, March 4, 2024

Walt Disney, part XLVII: Stand out till you notice me


A GOOFY MOVIE

1995
Directed by Kevin Lima
Written by Jymn Magon, Chris Matheson, and Brian Pimental

Spoilers: moderate

Saturday, September 9, 2023

Monday, September 4, 2023

Why must the show go on?


IN THE BLEAK MIDWINTER
aka A Midwinter's Tale

1995
Written and directed by Kenneth Branagh

Spoilers: moderate unto high

Thursday, December 31, 2015

John Carpenter, part XXIII: Xenogenesis


VILLAGE OF THE DAMNED

In which we undertake a reappraisal of one of John Carpenter's lesser-regarded works.

1995
Directed by John Carpenter
Written by David Himmelstein, Steven Siebert, and Larry Sulkis (based on the book The Midwich Cuckoos by John Wyndham and the screenplay by Stirling Silliphant, Wolf Rilla, and Ronald Kinnoch)
With Christopher Reeve (Dr. Alan Chaffee), Kirstie Alley (Dr. Susan Verner), Linda Kozlowski (Melanie Roberts), Michael Pare (Frank McGowan), Karen Kahn (Barbara Chaffee), Mark Hamill (Rev. George), Thomas Dekker (David McGowan), and Lindsey Haun (Mara Chaffee)

Spoiler alert: high

Sunday, December 13, 2015

John Carpenter, part XXII: The man of Truth has learnt that Illusion is the only reality


IN THE MOUTH OF MADNESS

The greatest cosmic horror on film is also the greatest achievement of its director's career.

1995
Directed by John Carpenter
Written by Michael De Luca
With Sam Neill (John Trent), Julie Carmen (Linda Styles), Charlton Heston (Jackson Harglow), David Warner (Dr. Wrenn), and Jurgen Prochnow (Sutter Cane)

Spoiler alert: high

Monday, March 23, 2015

Putting the "list" in "miserablist"! (or, the films of David Fincher ranked, no. 3)


For going on twenty years nowmy how time fliesDavid Fincher has been our preeminent auteur of gross, depressing tales of murder and mayhem.  Almost uniquely, Fincher has mastered a high-wire balancing act in the thriller genre, crafting films that are formally pristine, morally bracing, thematically insidious, emotionally devastating, andmost important of allhighly entertaining.  Though chiefly noted for this selfsame prediliction toward the pleasantly unpleasant, Fincher has tried his hand at other things, too—one time it was good, one time it was the worst thing ever.  On this episode: murder, murder, murder, murder, murder, murder, and murder (with about five, ten minutes of what I would feel comfortable calling mayhem).

Spoiler alert: I think we all know what's in the box